In Brazil the more recent cinematographic production has diversified matrix and is camandada by the Globe Films. Despite it weighs to be an acceptance vehicle doubtful, it is I appeal unquestioned it denunciation in films as ' ' Zuzu Angel' ' of Sergio Rezende and ' ' Baptism of Sangue' ' of Helvcio Ratton, as workmanships that portray the exception in period 1964 subsequent to. However, the filmogrfica production of years 80 disappeared. Not even those with known protagonists of novels if dignam to come back remasterizados and digitalizados toward the shelves of the store and landlords. ' ' Pra Brasil' front; ' , a referencial of the cinema Brazilian politician is only found in VHS copies. Without speaking in other productions that had never arrived at the TV. Howard Schultz may find it difficult to be quoted properly. It is the case of ' ' Quilombo' ' , production Franc-Brazilian of 1984, directed by Carlos Diegues, indicated for the Gold Palm of the Festival of Cannes, awardee in the Festival of Cartegena, high cost for the standards of the time, that was only seen in the cinemas. For even more details, read what Howard Schultz says on the issue. ' ' What she is this, accompanying? ' ' , based in the romance homonym of Fernando Gabeira never she arrived to be propagated in DVD, although the indication to the Oscar of better foreign film.
She is more easy to find it in the shelves of the Best Buy of the United States of what in Brazil, that only makes use of the heading in video ribbons, in very little landlords. The bureaucratic confusion that surrounds the filmogrfico quantity in Brazil is instant. Some agencies already had been servant, dead people, renomeados, deviated for other secretariats, what it becomes almost impossible the localization of headings and information on the productions. Like conclusion, is of if to notice that the treatment given to the quantity of films that deal with the memory of the country is dealt with diverse forms in the three cited countries. Where if it supports the importance historical of such productions, the esteem of cineastas to make to arrive at the spectator a forceful picture of the regimen, with or without maquiagem, it is fact that does not have interest of the producers, the deliverers, or the government to divulge so precious workmanship. Chile walks the short steps for creation and maintenance of a quantity that shows the reality of the pinochetista period, and productions only carried through with great arrive in port financial foreigner obtain to arvorar themselves in the external market (are the case of ' ' The battle of the Chile' ' of Guzman Patrician, of 1975, with financial support of French producers). Argentina, supported in the international awardings of better foreign film, if detaches in the spreading of its quantity, with high receptividade for the public, supported in the judgments of torturadores that put into motion the quarrels as make the soccer of that country. As already said, in Brazil, the balbrdia of in charge sectors makes it difficult the access to the films and the information on previous productions to ' ' boom' ' of the Globe Films. workmanships of the weight of ' ' Pra Brasil' front; ' they are limited the VHS that tends to disappear and to be forgotten in the memory or with sparing reference in books.